ALS in French, two pages on two adjoining sheets, 5 x 8, no date [circa 1880]. An early handwritten letter addressed to the collector Georges de Bellio, in part (translated): “I don’t have a frame for the church. I had to frame it with a border that’s too small for the painting. As a result, quite a bit has been hidden but you can still see the effect. I’m counting on you to quickly send back the framed Venice…I’d be very grateful if you would. Thank you in advance.” In fine condition. De Bellio (1828-1894) was one of Monet’s biggest early supporters. It was he who bought Monet’s iconic 1874 painting Impression, Soleil Levant, the work that gave its name to the Impressionist movement.
Claude Monet visited Venice twice in his life. His first visit occurred in 1908, and he returned for a second visit in 1909. During his time in Venice, Monet produced numerous works depicting the city's architecture, canals, and water reflections, showcasing his mastery of capturing light and its effects on the surroundings. Monet's ‘Venice series’ greatly contributed to the ongoing evolution of Impressionism and emphasized Monet's skill in capturing the essence of a place through his unique artistic lens.
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