French composer of operas, string quartets, symphonies, and choral works (1734-1829). Rare ALS in French, signed “Gossec,” three pages, 6.5 x 8.25, May 12, 1784. Handwritten letter to a publisher, in full (translated): “I am returning the proof with which you have entrusted me. Here are the remarks which arise from it. When a note has its stem pointing upward, the tail of eighth notes and sixteenths must be set to the right and not to the left (I think you will find this difficult seeing that in this case you have used ordinary eighths and sixteenths upside down) and as a result of this you will need to cast special type. Also the words must be printed as normally done in books, in bastard-type, not italic (I think the example is better when it is near as possible to the engraved letter). I have also noticed in your proof that the beats are often poorly laid out and not distinct enough, that’s to say there must always be a wider gap between one note and another that consists of lesser note-value. I am aware that the words often lay down the law in such instances, but the words must be made to fit the notes and not the notes to fit the words. To get this just right the setter must be a musician (there’s the rub). It has also been quite correctly observed that your lines are too curly and much less straight and neat than all the examples we have seen and which you showed us in various books. It is essential to get this right; it is the most serious fault in printed music. If in the ariette which I have had the honor to send you you can get rid of all the faults I have listed, all will be well. I would beg you, Sir, to be kind enough to send this as promptly as possible. This is necessary in order to appease the impatience of the minister and of M. De la Ferte who ask for news of this every day and urge us most pressingly.” In very good to fine condition, with slightly irregular toning, and a stain to the top edge.
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