Russian theatre director and actor (1874–1940) known for his experimental works and the creation of a new acting system called biomechanics; he was executed for treason after a forced confession. Scarce ALS in Cyrillic, signed “Meyerhold,” one page, 7.25 x 10, October 7, 1935. Angry letter regarding a mistake in an advertisement. In full (translated): "Look, Vladimir Semenovich, in 'Evening Red Newspaper' dated 7 October 1935. Look in the section 'Theater. Radio. Lectures' on page 4: 'Today and Tomorrow in the Theaters.' Read 'Conservatory' (on the page of Meyerhold Theater): '33 Swoons.' How could it be? After all, we play 'The Lady of the Camellias.'
Tell Comrade Martyntsev: this is not acceptable disorderliness on the part of administrator. After all, the premiere was long time ago! It was necessary to make sure: the newspapers are aware about the change. It was necessary to call to newspaper more than once, it was necessary to insist on correctness. And why it is reported that it plays today (even with a mistake), and not reported that it plays tomorrow; all other have two titles included. What is Comrade Martyntsev thinking about? After all, this mistake will be reflected without doubt on the cash receipts. It’s outrageous!” Double-matted with two photo postcards. In very good to fine condition, with scattered overall creasing and light stains to bottom. It seems that the newspaper listing said that the production at Meyerhold’s theatre would be 33 Swoons—a compilation of three Chekhov plays—rather than The Lady of the Camellias, which is considered by many to be his greatest work. This letter reveals one of the elements of Meyerhold’s personality—strict perfectionism—that enabled him to become a seminal force in modern theatre. Pre-certified PSA/DNA.
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