Renowned American artist (1889–1975) whose distinctive “regionalist” style made him one of the most influential figures in American art during the 1930s and 1940s. His large-scale murals, often peopled by lanky, exaggerated human figures, became classic visual emblems of both idyllic rural culture and bustling urbanism in Depression-era America. ALS, one page, 7 x 10.5, personal letterhead, January 17, 1963. Benton writes to H. K. Thompson, Jr. in New York City. In full: “We all know Rockwell Kent as a good painter, maybe a great one, and you can be sure I have complete respect for his abilities. As to his new book there is, out here, no vehicle in which I could review it. I could make comments on the book but if it is politically slanted this might not be easy. I don’t like to be in a position where I might put a man’s gifts through a political wringer. I have experienced enough of that myself….” In addition to his artistic pursuits, Kent (1882–1971) was an eminent American artist best known for his works in a crisp modernist style. In addition to his artistic activities, he was a political activist who took up a number of left-wing causes. His views were subjected to close scrutiny during the McCarthy Era; he was called before the infamous House Un-American Activities Committee, and he was denied a passport by the State Department in a decision ultimately overturned by the Supreme Court. In fine condition. R&R COA.
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