Fabulous lot of ten vintage signatures (many with musical notations), each on a separate, white 5 x 3 page. Included: Jack Teagarden who pens the first couple of bars and writes “I’ve Got a Right to Sing the Blues, from Jack Teagarden, May 28/42, Salt Lake”; Carman Cavallaro, who pens the first two bars of the Sheaffer Theme, and writes “To Arthur Howard, Carman Cavallaro, Utah Centennial Year, 1/19/47”; Jimmy Dorsey, who pens and signs the opening notes of “Contrast Theme”; Count Basie who adds “Salt Lake City, Oct. 10, 46”; Stan Kenton, who pens and signs the first two bars of Artistry in Rhythm, and adds “For Arthur Howard, Salt Lake City, August 13, 1946”; Louis Prima, who pens and signs the first two bars of Way Down Yonder in N.O., and “Salt Lake City, Utah, July 14, 1943”; Frankie Carle, who pens and signs the first bars of Moonlight Whispers, and inscribes “To Art Howard, Salt Lake city, 6-27-45”; another Frankie Carle, penning and signing the first bars of Sunrise Serenade, adding “Salt Lake City, 6-27-45”; Sammy Kay, penning and signing the first couple of bars of an unidentified piece, inscribing “To Arthur Howard, May 19, 1942, Salt Lake”; and Artie Shaw, penning and signing the first notes of an unidentified piece, and adding “Salt Lake City, Aug. 2, 1939.” In overall fine condition, with traces of adhesive to edges and neatly typed collector’s notations, small punch holes to left margin. R&R COA.
